ArtCall Diary - Entry 5/29/2000
Anna "La Scary"
Barb Fox at Webbittown HQ in the new chair w/welcoming gift
You and I are gonna need a lot of coffee for this entry. Barb Fox (that's her above) has the right idea with in this case a Starbucks' french press coffee maker. We were waiting for the 'Red Spot Outdoor Slide Theater' pictures to reappear, and this was destined to become the largest single entry in the diary, every. So go grab a cuppa' joe shmoe now while you can and then read on.
The ArtCall WebbCamm - shown here at Follin GalleryThe first image off the ArtCall WebbCamm - Follin Gallery
Saturday found us over at Follin Gallery fixing up ArtCall's World Wide Webb Cammitment. It took a complete reinstallation of the Winnov drivers to get it to work (tech talk for the nimble minds). But get it to work we did! Now all we had to do was wait for Bell Atlantic to put in the phone line over at ArtCall HQ. Getting our own webcam to work helped us get Kostabi World convinced... I'm mean ready for its' very own KostabiKam.
Paul Kostabi - series paintings - 2000 - Follin Gallery
While we were there we previewed the latest (fastest best he's ever done!) work of Paul Kostabi of Follin Gallery. The work has since been sold on Ebay for a quick hundred bucks. Future recording star Madeline was busy next door in the Poshboy East Studio, crafting her Freedom of the Night pop hook.
Madeline Follin - after a hard recording session - reading Tiger Beat magazineLA2 - 2000 - krylon and marker on canvas - 24x24 - Follin Gallery
Notice the LAII work above and become familiar with the 'tag'. This art work is currently 'hot' by any definition, running in the $2,000+ bracket on amazon.sothebys.com and the $300-700 bracket on Ebay. We have witnessed the many transactions between Follin Gallery and LAII. He has been downright prolific in recent weeks as he has churned out hundreds of works that Follin Gallery acquired for future sales. The art supply stores in the upper village must be very happy with all their canvas and Krylon sales. This is a very volatile medium to work with and we can appreciate the danger it takes to work with this stuff.
Anna Lascari - Executive Director - Red Spot Outdoor Slide TheatreAnna Lascari - 2000 - sculpture - Lots of Heart - yes, it's real blood in there!

Calmx had joined us at Follin Gallery for the festivities and dashed off with KatKitty up to a nonexistent opening up in Chelsea, while I read some of the hundreds of emails that had stacked up to read. When they returned it was off to Odessa for another burger 'that could not be beat', a trip to the Editrix's pad, a shout out at Clayton's and finally off to headquarters so KatKitty could nap (heck of a way to waste $250). We did manage to get up to the Chelsea Hotel and get some real sleep so we could handle all of Sunday's activities.

Sunday, we went back to headquarters and called Anna Lascari, the executive director of The Red Spot Outdoor Slide Theater, to see if we could get some PR and digitize slides. We made an appointment for 3pm. We called calmx to see if she too would like to join us in our media session.

It turned out to be extremely hectic as hundreds of slides were shot, KatKitty's 3D camera was downloaded, public relations material was obtained (no, we haven't lost it) for a grant proposal, and we sneaked a peak at her latest work titled Lots of Heart. There's real AB+ blood vials in there! We have below a photo of Alan Red Spot Daugherty courtesy of Red Spot artist, collaborator, curator, and friend Doug Ciarelli, who curated the New York/Miami show.

KatKitty - First to nap on the found couch - ArtCall HQ - 5/30/00
Red Spot - Alan Daugherty - In the projection room - photo by Doug Ciarelli - 1986

When we left Anna's studio and crossed the street we saw a beautiful leather couch in front of a closed store at 85 Mercer. We started to figure out just how to move it to the Bowery HQ. We looked around the immediate area for a very large wagon. We came back to find an oriental man and wife eyeing the couch with every intention of putting it in front of their TV, had we not sat down on the thing and possession being 9/10ths of the law. This turned out to be our first 'La-Scary' moment. We thought of moving it into Anna's building until we could figure out just how to haul its' leather ass home. Just at that very moment Anna came out of her elevator and let us put the couch in her hallway until we could find a dolly or donkey or something. With disaster averted, KatKitty and I started back to HQ and found a hardware store on Broome and Mott that was still open. We bought four little caster wheels, nails and back up screws. You can guess the rest, as we wheeled the thing down Kenmare Street, we stopped and had coffee in front of the little corner luncheonette. We got some envious looks as folks would have paid us good money to sit on our comfy Italian couch. It reminded us of someone who did that in a mid-80's Art around Tompkins Square Park. We finally got the thing installed at ArtCall HQ, and KatKitty promptly took an inaugural snooze in it.

Nico Smith - Glyph Series #1 - 2000 - Ink on Paper - Pink Pony CollectionHeadquarters was now taking shape and there were now signs of intelligent life forms. When KatKitty woke up we took off for the upper village. We stopped in for a Clayton confab at his 161 Essex studio building. We made it official that The ArtCall Date is June 30th and that we will have it in the downstairs inner office there. That being settled, we showed Clayton the ArtCall Diary hard copy (I have it onhand wherever I go) and he went wild about collaborating on getting it and other local reporting into hard copy. Clayton just loves hard copy and tactile art.

Nico Smith - Glyph Series #2 - 2000 - Ink on Paper - Pink Pony CollectionKatKitty was 'jonesing', she needed her high-tech toys. We called Follin Gallery and asked if we could get our computer that had been housed at Follins and move it to the new ArtCall HQ. The deinstallation seemed to go smoothly (tug, tug, tug). The cab ride back to HQ didn't appear too bumpy (slam, whiplash, slam). Yet when we reinstalled the computer it didn't fire up right away. KatKitty took another nap. I got another one of those "La-Scary" moments. Nap over with, calmx decided to have a 'committee meeting' at Odessa. After another 'burger that could not be beat' we three did our best to keep the ArtCall's focus tight. We then cabbed  to the Chelsea to enjoy the last of our $250 a night beds.

Nico Smith - Glyph Series #3 - 2000 - Ink on Paper - Pink Pony CollectionWe awoke Monday just past checkout time, got coffee and ate the last of our food stockpile. My jaw dropped when I saw the tab. It was over a months rent here at ArtCall HQ. I was shocked (and calculating)! But not knowing is not knowing and well ...(sigh) back to HQ we cabbed. Got the computer restarted (whack, whack) as it was the main chip that had come dislodged, went back to Follin Gallery and got the rest of the computer supplies, got the world's best coffee at Ray's News, did another fabulous Clayton confab, and went back to HQ for sunset. The day just seemed to be one big blur. The ArtCall WebbCamm was installed and running locally. I won the flip for the couch and KatKitty had to use the air bed.

We awoke to the smell of fresh kona coffee at HQ and got Bobbi ready for the ride back to JFK. We had one last stop at Kostabi World at 90 Ludlow Street, to see the computers once more and get specs for their KostabiKam. There were all kinds of sirens going off on Delancey Street as we left our building. Sirens everywhere and traffic at a standstill as we continued east on Delancey. Something was going on, but we couldn't see the cause of the trouble till we hit Orchard Street. There was a guy on the edge of  the corner building at Delancey and Ludlow and he was threatening to jump!

Jumper on ledge - Photo by Paul Kostabi - 5/30/00
At first he was just pacing up and down the edge of the building. We entered Kostabi World by the back, the cops did not want to let us in. Kostabi world was in an uproar with Mark, Paul, and Heidi all leaning out their 3rd floor window. The three had the best viewpoint in New York for the whole upcoming tragi-drama. The standoff itself took over 2 1/2 hours to play itself out. I was drained when it was over and I'm drained all over again just trying to recall the events as they unfolded. It's another "La-Scary" moment.
Katkitty's 3D Cabaret Comes to a Close - Taxi 4h81 to JFK
Dairy of a Jump
Calling Elsa and Clayton to get extra coverage.
Kostabi Painters trapped in the building.
The crowd control cop in front of 90 Ludlow.
Emergency Services blowing up of the 3 airbags that got used.
Sneaking out to get photos.
Sneaking KatKitty out to get to JFK.
Almost not finding her a cab and then finding one that was going to Queens. Kostabi Painters trapped outside the building.
Elsa and the busy press pool on the traffic island between Orchard and Ludlow
The cutting down of  the No Parking and parking meters on Ludlow.
The grabbing of the guy
The crowd cheering as the guy was hauled back on the roof.
Kostabi World in a frenzy calling all the TV stations about their video footage (it was the best footage available)
The police tearing down the scene that had been created
Calmx running back to her studio to get her pics downloaded
And back to Ray's News for the 'World's Best Coffee'.
Actual damage incurred during jumper incident  - 5/30/00
Anna Lascari (pronounced la-scary) has reminded me that this was supposed to be a Red Spot article. But some things just do not work out as one plans. It just turned out to be one moment after another that was "La--Scary", Anna.

Jottings: Streaming Media East 2000 Hilton Towers June 12th-14th All day.

photos ©carol braddock aka red ed,  calmx paul kostabi, katkitty, doug Ciarelli
Permission of Red Spot Archives, Kostabi World, and Follin Gallery
artwork©LAII, anna lascari, nico smith, paul kostabi

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